CATCH THIS QUICK! Kathryn Smith
We have been wanting to catch this exhibition since it started but have been too busy – you only have two days to catch brilliant young artist and ex-Durbanite Kathryn Smith’s work “In Camera” at the Goodman on Jan Smuts – so Go Go Go. We’ll do our best!
The Goodman Gallery presents Kathryn Smith’s In Camera, opening on September 15 at 18h00. This is her first solo exhibition since her Standard Bank Young Artist touring exhibition Euphemism (2004-2005). The exhibition closes 6 October, 2007.
In Camera is a Latin phrase literally meaning ‘in private’ or ‘in secret’. It is most commonly used in legal cases where testimony is presented in private chambers instead of in open court. In camera testimony is most often facilitated where reliving the experience of a violent and traumatic event through verbal narration would be aggravated by having to do this in public. This opportunity is often given to victims of sexual assaults and children involved in criminal cases.
Kathryn Smith’s In Camera presents a controlled, immersive environment featuring a series of portrait drawings, sourced from a range of print and online media photographs and processed so as to blur the distinction between the handmade and the mass-produced. Her subjects are the victims and perpetrators of violent acts, the circumstances of which remain almost incomprehensible in their extremity, even if the facts surrounding tabloid revelations of these cruel private desires are known. Smith is particularly interested in how, through repetition, certain photographic images get detached from their subjects and the representation of a person becomes emblematic of ‘victimhood’, ‘the missing’, ‘monstrosity’ or ‘evil’. This kind of rhetoric functions as a means to situate the perpetrators outside the realm of human behaviour and does not allow us to dwell on the particular circumstances of each violent interaction.
Smith’s drawings have been made with ultraviolet-sensitive inks, invisible to the naked eye. As an artist known to work with performance and photo-based media, the choice of ink, brush and paper presents another way of processing the photographic image, particularly these images mediated and re-mediated such that they become like a retinal afterimage, a trace of something we have seen or experienced but which remains beyond our grasp.
In setting up a relationship between the spectrum and the spectral, In Camera is an exhibition of ghosts, an attempt to reclaim that which eludes cognitive and emotional capture and retention.
The installation comprises audio and lighting components, making use of both the Goodman Gallery’s public façade and display windows to accommodate aspects of the exhibition for evening viewing.
