A taste of what’s to come. Cassette.
Mar16

A taste of what’s to come. Cassette.

Represents good friend, Andrew Wessels and his group South African pop/rock band Cassette have been hard at it putting together their latest album together for their adoring fans. We’re delighted and wish them all the best – come on dudes, let’s blow it up. Watch the video below that gives a taste of what’s to come… Look out for the new single, “Who Do You Trust” on radio’s everywhere! Look out for a huge South African tour coming March. Look out for the huge international tour coming in April/May In the meantime, here is some...

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Wanna visit India? Get inspired right here.
Mar16

Wanna visit India? Get inspired right here.

In search of enlightenment, weight loss shortcuts and spiritual enrichment to ease the path into her wiser/slimmer/better 30s, Beverley Houston followed her dream of visiting India. And just did it. She shares her  highlights and photo’s with us: My India I had visions of returning from India feeling enlightened and looking emaciated – the enlightenment would be from the morning, noon and night yoga sessions that I would partake in and the drop in dress size would inevitably be caused by the worst bout of Delhi belly ever recorded by man.  The pressure was on – not only did my 30th loom a mere two weeks post my return (hence the quest for enlightenment and all other things related to turning the big three oh) but I had a bridesmaids dress to fit into – the dire need for Delhi belly need not be explained further. Sadly – my trip to India, the land of Saints, gods, demi-gods and all things mystical and magical, bestowed upon me neither. Setting off from Johannesburg with my vegetarian, yoga-loving best friend, we arrived in Delhi with a number of pre-conceived, post Shantaram reading notions on India. Rather grubby, smelly and definitely full of all sorts of nasty bugs, Delhi is a thriving city, which constantly and unpredictably contrasts between the old and new, extreme poverty and extreme wealth. Western, especially blonde female tourists are a fascination for the locals who, if you fit the description, will stop you to have their picture taken with them. Great for the many family portraits that we now feature in but not so great for the ones taken with the young single guys who will forever onwards claim to have bedded either one or sometimes both of us – the digital revolution has made photo taking a new sport in India. From Delhi we set off with driver to the Rajasthan district – think Agra and the Taj Mahal, the pink city of Jaipur, the one horse hippy town of Pushkar and the city of lakes and palaces Udaipur, which will be forever immortalised by the 1980’s James Bond movie Octopusssy. Rajasthan highlights: The Taj Mahal at sunrise. Sadly it was a gloomy day, but a spectacular sight nevertheless – sans sunshine. A three-hour long Bollywood blockbuster, which we watched minus sub-titles, in Jaipur’s famous art deco meringue shaped movie theatre. Camel trekking – we hooked this up in Pushkar – a Hindu pilgrimage city which has banned all public displays of affection, alcohol, eggs and meat – if you want to smoke pot however, look no further. A cooking course in Udaipur – we learnt...

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Remembering Sharpville – Open Mic daytime Session
Mar16

Remembering Sharpville – Open Mic daytime Session

Poets, lyricists, speakers, wordsmiths, get your pens working and spill out what’s in your heart this Human Rights Day at this very special edition of the popular Likwid Tongue open mic sessions: Remembering Sharpville. OPEN MIC for OPEN MINDS on HUMAN RIGHTS DAY 21 march Shivava cafe 66 carr st Newtown OLD SONGWRIGHTERS CLUB 12hoo till 18h00 FREE ENTRY ALL DAY! OPEN MIC ALL...

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Self/Not Self – A collective of artists explore the Self
Mar16

Self/Not Self – A collective of artists explore the Self

Brodie/Stevenson presents Self/Not-Self, the second curated exhibition that explores modes of self-representation across a range of contemporary art practices. Self/Not-Self 26 March – 25 April 2009 Opening on Thursday 26 March at 6pm The exhibition as a whole considers concepts of self-portraiture and the role of the artist/author. While it is undoubtedly reductive to interpret all work as autobiographical, the significance of how artists ‘write themselves into’ their work is fundamental to contemporary art practice. This ‘writing in’ may occur in various ways including performance, the gestural mark, the trace, the alter-ego, autobiography (both real and fictitious), confession and absence. This exhibition will look at indirect or ‘absent’ self-representational approaches, where strategies of surrogacy, projection and alternative personae are employed. Aspects of this approach include the object as stand-in for the self, self as alter-ego, self as artwork, as another’s body, and as text. These approaches contain an inherent sense of remove, and allow for a mode of autobiography through a third-person or object. In their ‘looking outwards’ to the world, these artists offer a challenge to the very idea of a coherent or contained self. Artists on the upcoming show include Avant Car Guard, Conrad Botes, Wim Botha, Reshma Chhiba, Simon Gush, Nicholas Hlobo, Lawrence Lemaoana, Michael MacGarry, Richard Penn, Wilhelm Saayman, Penny Siopis and Sober and Lonely. Brodie/Stevenson is located on the ground floor, 373 Jan Smuts Avenue, Craighall, Johannesburg. Hours are Tuesday to Friday, 10.30am to 5.30pm, and Saturday from 9.30am to 3pm. Email info@brodiestevenson.com. Telephone +27 (0)11 326 0034. Fax +27 (0)11 326 0041. Image:  Lunga Kama – Ubuntu libhongo...

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jozi art:lab presents Guard on Shift in Kliptown
Mar16

jozi art:lab presents Guard on Shift in Kliptown

We’ve been rooting for the potential of Kliptown for a while now and are delighted to see that inroads are being made into communicating around the disparity of the tourism developments and the local community that feels largely side-lined. Bravo jozi art:lab. After its great success in October 2008 the interdisciplinary art installation Guard on Shift by Sue Pam – Grant and Xoli Norman will be staged again – this time at the Battery Center in Kliptown as an open-air performance. It will be part of Kliptown Art Project, founded and curated by the foundation jozi art:lab. “ jozi art:lab is solely focused on curating thought-provoking work. We realised the challenge that the lack of resources poses on art consumption and hope that this showcase of Guard on Shift will bring theatre to people who hardly have the opportunity to indulge…” explains Indra Wussow, curator and founder of jozi art:lab. Guard on Shift explores an all too familiar fixture in surburbia – the guard’s hut and the presence of the black guard who is posted there to guard the neighbourhood. He is somewhat a contradiction: he represents a superhero and protector yet at most times he is unarmed and ill – equipped to respond to any real danger – the funny this; people still trust and feel safe knowing he’s on shift. The artist and director Sue Pam – Grant and music composer Xoli Norman investigate the tenuous and visceral areas that occupy these physical and mental territories. This allows for a scrutiny of our collective paranoia – a critical boundary between our physical fences and the space occupied inside the walls of our minds. jozi art:lab anticipates an interesting response to this installation  considering that it will take place within the context of a community where some of its inhabitants leave their homes to protect other peoples’ homes in the suburbs. This particular performance and its reception will inspire the interrogation of this phenomenon further through a documentary film and the project will be spearheaded by Indra Wussow and Wonderboy Peters. Battery Center, Kliptown, Soweto Saturday, 28th March 2009 @ 6:30pm Guard on Shift completely lacks self-indulgence – or even articulated (patronising) pity for these peripheral people. It’s a bare brutal portrayal of intransigent values that pepper and coddle us into a complacency of security. A lucid, wise piece that glosses the incompetence in the running of our country by pointing fingers within, not without. Robyn Sassen –...

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