A taste of what’s to come. Cassette.
Mar16

A taste of what’s to come. Cassette.

Represents good friend, Andrew Wessels and his group South African pop/rock band Cassette have been hard at it putting together their latest album together for their adoring fans. We’re delighted and wish them all the best – come on dudes, let’s blow it up. Watch the video below that gives a taste of what’s to come… Look out for the new single, “Who Do You Trust” on radio’s everywhere! Look out for a huge South African tour coming March. Look out for the huge international tour coming in April/May In the meantime, here is some...

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Remembering Sharpville – Open Mic daytime Session
Mar16

Remembering Sharpville – Open Mic daytime Session

Poets, lyricists, speakers, wordsmiths, get your pens working and spill out what’s in your heart this Human Rights Day at this very special edition of the popular Likwid Tongue open mic sessions: Remembering Sharpville. OPEN MIC for OPEN MINDS on HUMAN RIGHTS DAY 21 march Shivava cafe 66 carr st Newtown OLD SONGWRIGHTERS CLUB 12hoo till 18h00 FREE ENTRY ALL DAY! OPEN MIC ALL...

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Self/Not Self – A collective of artists explore the Self
Mar16

Self/Not Self – A collective of artists explore the Self

Brodie/Stevenson presents Self/Not-Self, the second curated exhibition that explores modes of self-representation across a range of contemporary art practices. Self/Not-Self 26 March – 25 April 2009 Opening on Thursday 26 March at 6pm The exhibition as a whole considers concepts of self-portraiture and the role of the artist/author. While it is undoubtedly reductive to interpret all work as autobiographical, the significance of how artists ‘write themselves into’ their work is fundamental to contemporary art practice. This ‘writing in’ may occur in various ways including performance, the gestural mark, the trace, the alter-ego, autobiography (both real and fictitious), confession and absence. This exhibition will look at indirect or ‘absent’ self-representational approaches, where strategies of surrogacy, projection and alternative personae are employed. Aspects of this approach include the object as stand-in for the self, self as alter-ego, self as artwork, as another’s body, and as text. These approaches contain an inherent sense of remove, and allow for a mode of autobiography through a third-person or object. In their ‘looking outwards’ to the world, these artists offer a challenge to the very idea of a coherent or contained self. Artists on the upcoming show include Avant Car Guard, Conrad Botes, Wim Botha, Reshma Chhiba, Simon Gush, Nicholas Hlobo, Lawrence Lemaoana, Michael MacGarry, Richard Penn, Wilhelm Saayman, Penny Siopis and Sober and Lonely. Brodie/Stevenson is located on the ground floor, 373 Jan Smuts Avenue, Craighall, Johannesburg. Hours are Tuesday to Friday, 10.30am to 5.30pm, and Saturday from 9.30am to 3pm. Email info@brodiestevenson.com. Telephone +27 (0)11 326 0034. Fax +27 (0)11 326 0041. Image:  Lunga Kama – Ubuntu libhongo...

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jozi art:lab presents Guard on Shift in Kliptown
Mar16

jozi art:lab presents Guard on Shift in Kliptown

We’ve been rooting for the potential of Kliptown for a while now and are delighted to see that inroads are being made into communicating around the disparity of the tourism developments and the local community that feels largely side-lined. Bravo jozi art:lab. After its great success in October 2008 the interdisciplinary art installation Guard on Shift by Sue Pam – Grant and Xoli Norman will be staged again – this time at the Battery Center in Kliptown as an open-air performance. It will be part of Kliptown Art Project, founded and curated by the foundation jozi art:lab. “ jozi art:lab is solely focused on curating thought-provoking work. We realised the challenge that the lack of resources poses on art consumption and hope that this showcase of Guard on Shift will bring theatre to people who hardly have the opportunity to indulge…” explains Indra Wussow, curator and founder of jozi art:lab. Guard on Shift explores an all too familiar fixture in surburbia – the guard’s hut and the presence of the black guard who is posted there to guard the neighbourhood. He is somewhat a contradiction: he represents a superhero and protector yet at most times he is unarmed and ill – equipped to respond to any real danger – the funny this; people still trust and feel safe knowing he’s on shift. The artist and director Sue Pam – Grant and music composer Xoli Norman investigate the tenuous and visceral areas that occupy these physical and mental territories. This allows for a scrutiny of our collective paranoia – a critical boundary between our physical fences and the space occupied inside the walls of our minds. jozi art:lab anticipates an interesting response to this installation  considering that it will take place within the context of a community where some of its inhabitants leave their homes to protect other peoples’ homes in the suburbs. This particular performance and its reception will inspire the interrogation of this phenomenon further through a documentary film and the project will be spearheaded by Indra Wussow and Wonderboy Peters. Battery Center, Kliptown, Soweto Saturday, 28th March 2009 @ 6:30pm Guard on Shift completely lacks self-indulgence – or even articulated (patronising) pity for these peripheral people. It’s a bare brutal portrayal of intransigent values that pepper and coddle us into a complacency of security. A lucid, wise piece that glosses the incompetence in the running of our country by pointing fingers within, not without. Robyn Sassen –...

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Call for Entry: Africa in Motion short film festival
Mar13

Call for Entry: Africa in Motion short film festival

For the second year, the Africa in Motion (AiM) film festival is inviting African filmmakers to submit short films of up to 30 minutes for the festival’s short film competition. In order to target the competition specifically towards young and emerging African film talent, filmmakers who enter a film for consideration must not have completed a feature-length film previously. Films entered must have been completed in 2006 or after. A shortlist from all the entries will be selected in July and announced by the end of August 2009. From this shortlist, the competition winner will be chosen by a high profile jury and announced at an awards ceremony at the Africa in Motion festival in October 2009. The jury will consist of local and international film specialists and established African filmmakers. All shortlisted films will be screened at the festival. In addition to the overall first prize selected by the jury, an audience choice award will be selected by the audience at the screenings and announced at the end of the festival. The deadline for competition entries is 30 June 2009. Please see below for full submission guidelines and to download the entry form. Alternatively, AIM please read carefully through the submission guidelines and email the festival director Lizelle Bisschoff for further enquires at: submissions@africa-in-motion.org.uk SUBMISSION GUIDELINES • We accept entries from all filmmakers of African nationality working in Africa or abroad. We are particularly interested in giving exposure to young, emerging African filmmakers living and working in Africa. To this end, filmmakers who enter a film for consideration must not have completed a feature-length film previously. Films could be fiction, documentary, animation or experimental and shot in any format. • Only recent films directed by filmmakers of African nationality will be accepted. The film must have been completed in 2006 or after and could have been screened on television, at festivals and in cinemas previously. • Films should be no longer than 30 minutes. • We will only accept films in English or with English subtitles. Participants are responsible for all translation and subtitling, but please get in touch with us if you need advice/support on this. • The viewing copy should be on VHS PAL or DVD (any region). All films submitted should be accompanied by a completed entry form and all viewing copies should be clearly labeled with the title of the film and name of the director. • Unfortunately viewing copies and promotional materials submitted cannot be returned to the sender and will be stored in our festival archive. These are kept exclusively for our own research and non-commercial purposes. • All deliveries from outside...

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“In the Light of Play” at Durban Art Gallery
Mar10

“In the Light of Play” at Durban Art Gallery

Much-loved South African storyteller Gcina Mhlope will open the first “In the Light of Play” this Wednesday at Durban Art Gallery. It is the first curated show of contemporary African women artists in South Africa. Curated by independent curator Bisi Silva,the director/founder of the Centre for Contemporary Art, Lagos and an independent curator. Amongs her projects includes co-curator, Dak’Art Biennale (2006), “Democrazy: Three solo exhibitions and a publication”,(2008). Like a Virgin… Lucy Azubuike & Zanele Muholi, (2009). She is a curator of the 2nd Thessaloniki Biennale of Contemporary Art, Greece in May 2009. The exhibition will feature artists Berry Bickle (Zimbabwe) Sokari Douglas Camp (Nigeria/UK) Helga Kohl (Namibia) Bongi Bengu (South Africa), Pinar Yolacan (Turkey) and Monique Pelser (South Africa).  You can read more about the exhibition, Bisi and the artists on Bisi’s blog here. 11th – 27th March 2009 Durban Art Gallery, Durban 2nd Floor,City Hall, Anton Lembede Street, Durban 4001, South...

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