Support South African Crafters in Newtown
We always feel *happy* after a Saturday in the sun in Newtown, downtown Joburg city, with all the wonderful eating spots available, the theatre, the shops, the vibe is well worth a visit: A great way to celebrate Spring and the city is to head down to The Zasekhaya Market, which takes place on Mary Fitzgerald Square, Newtown on Saturday 27 September from 10am. The market sets itself apart as the crafters and artists that sell at the Zasekhaya Market offer trendy and cutting edge products that range from jewellery, shoes, bags, felt animals, mirrors, accessories, clothing and visual arts. The crafters are some of the top artists in the countries and often their products are exclusive and one offs. It’s a great outing for a Saturday, safe and secure parking is available on the square and there are many restaurants nearby to provide...
Drum down on Heritage Day
What an opportunity Representers, make sure to catch the Once Off performance at the JAG of master drummer Samson Mudzunga this Heritage Day: Legendary drum-maker Samson Mudzunga will be presenting his latest performance: Fish Drum from Lake Fundudzi. The two-hour performance will incorporate the domba, malende and tshikona dances. During the performance Mudzunga will also re-enact his arrest after an altercation with Venda chiefs. The drum that Mudzunga will be using for this performance is large enough for him to fit inside. The drum was made from wood drawn from the spiritually charged waters of Lake Fundudzi in Limpopo. Samson Mudzunga is a self taught artist who was born near Lake Fundudzi in 1938. He has been exhibiting his work since 1988. Much of his works are based on over-sized drums which he uses during his performances. These drums are also adaptations of traditional drums used during various Venda ceremonies such as initiation rituals. By transforming these drums both in form and conceptually to new and often non-sacral uses, Mudzunga straddles the divide between traditional art and contemporary art. For instance one of Mudzunga performances involves him being buried in one of the drums only to...
Connor Cullinan at Obert Contemporary
We do our best to post cultural, entertainment and artistic events that bring vibrancy and value to your free time. Quality. So believe us when we say, lovers of art, get to the Obert Contemporary in the next two weeks for…..: connor cullinan: carne vale. 14-30 august 2008. obert contemporary is pleased to present ‘carne vale’ by connor cullinan from 14-30 august 2008. michael smith, the managing editor of artthrob, has written the following review of cullinan’s latest exhibition: ‘making a painting is usually less like building up a whole from a series of base units as much as it is about throwing everything you know and everything you’ve seen at a surface: layering, praying, falling apart and then layering some more. connor cullinan’s works quietly challenge this impulse. their evolution seems almost sculptural, in that the final image is achieved exactly through a process of unit-based construction, with lines, diamond shapes, rectangles and elements of pattern. the systematic process the works require for their production engenders a contemplative reading of their aesthetics and ideas. they ask the viewer for time and consideration rather than a gut response. in fact, the trope of ‘system’ underscores all of cullinan’s images: their grids, matrices and repetitions reverberate with a sense of some sort of metaphysical pattern or design. yet frequently the images rendered within these systems pull against them, and in a cautionary tone seem to speculate about how far from this order humanity has strayed. cullinan frequently works from media images, newspaper and magazine pictures. these operate as starting points for his exploration of ideas that fit into his conceptual framework. this is true of all ten of the paintings in the show ‘Carne Vale’. the show’s content addresses this notion of ‘carne vale’, an italian phrase for ‘farewell to flesh’. in contemporary english the phrase has morphed into ‘carnival’, but cullinan’s works refer to its designation as a pre-lenten festival during which indulgence is tolerated in preparation for lent’s asceticism. he works with the idea that the current social climate of excess and self-indulgence is a signal of future limitations on these things, as if humanity is playing out an ancient cycle of feast and famine on a grand scale. his formal approach thus seems entirely appropriate for this conceptual terrain, eschewing as it does painterly excess and surplus gestures. possession is a case in point: the picture of a man with arms raised, crying out, is composed of a series of jagged striations which recall a disturbed bridget riley canvas. yet even in this, the show’s most immediately emotive image, violence is muted by methodical construction. in ‘host’,...
Call for Entries: South – a travelling Expo.
Get your creativity seen in the innovative SOUTH travelling exhibition showing off the best of South African Creativity, kicking off at Design Indaba in Feb in Cape Town and then moving on to take over the world. The top three designs will win money, imali, moolah and by the way they’re looking for a range of creativity and design. Hurry up/Sheshani, entries close in November. SOUTH seeks to uncover the finest examples of South African creativity across a broad spectrum of disciplines and forms. And, for the first time on one platform, showcase a dazzling array of our finest creative produce. ART. ARCHITECTURE. ADVERTISING. CRAFT. DESIGN. FASHION. FILM&VIDEO. JEWELLERY. MUSIC. NEW MEDIA. PERFORMANCE ART. PHOTOGRAPHY. The kind of creative excellence that will best infl uence the judges is neither black nor white, nor ethnic, nor neutral, nor euro, nor west, nor east. It’s a harmony out of contradiction. A balance of extremes. That fine line between order and chaos. SOUTH seeks executions that capture the soul of this mystique. Design Indaba has collaborated with the Creative Circle and The Loerie Awards to launch the Creative Alliance. Dedicated to promoting South African creativity on an international front, the alliance will be initiating a travelling exhibition sponsored by the SABC. The exhibition will debut at Design Indaba 2009. Entitled South, the exhibition is a celebration of the gloriously positive, ridiculously naïve and relentlessly spontaneous creative industries inherent in our country. Seeking to encapsulate the bold, lawless, cheeky, crossover, politically incorrect flavour of the South African imagination, the exhibition is a celebration of the home of high-class ashtrays made out of elephant dung and pap served with sushi. The exhibition will comprise of existing local and international designs which best encapsulate “South”, as well as the award, open to participation from creatives across all industries including advertising, design, film and video, music, performing arts, fashion design, new media, publishing, radio and television, industrial design, visual art, architecture and crafts. Three prizes will be awarded. * The overall winner receives R100 000. * Second place receives R50 000. * Third place receives R25 000. Onwards… upwards… southwards… viva! For entry forms and more information visit: www.designindaba.com/south Enquiries: Michael Purdham at Interactive Africa Tel: (021) 465 9966 Fax: (021) 465 9978 south@interactiveafrica.com Onwards… upwards… southwards…...
…of bugchasers and watussi faghags
mhhh, this looks deep, disturbing and definitely for those seeking out alternative mind-expanding art exhibitions… which is what art is supposed to do, move you and make you think! Go on, go and explore the many layers and narratives ingrained in Athi-Patra Ruga’s body of new work at ArtExtra. And by the way, if you’ve been wondering what the hell the word DYSTOPIA means, think the opposite of Utopia, as explained by Dictionary.com: an (imagined) society characterized by human misery, as squalor, oppression, disease, and overcrowding. …of bugchasers and watussi faghags A solo exhibition by Athi-Patra Ruga 20 August – 20 September 2008 373 jan smuts avenue craighall johannesburg gallery hours: tuesday to friday 1030 – 1730 saturday 930 – 1500 t011.326.0034 f011.326.0041 info@artextra.co.za Please join us for the opening on Wednesday 20 August 2008 at 6pm …of bugchasers and watussi faghags is the first solo exhibition of Athi-Patra Ruga’s to be held in Johannesburg. The exhibition revolves around the principal character of the “bugchaser”, Beiruth, and his ‘tales of counter-penetration’, realized through craft-mediations and performances undertaken in various urban centers around South Africa and abroad. “This body of work is an interrogation of my interest in the history of image-making, and of displacement – both of people and images. The title of the show is double-edged: it refers to the sexual practice of ‘bug-chasing’ [the act of contracting the H.I. virus intentionally] – with it’s seemingly altruistic motivation; while also referring to the history of the ‘Watussi’, a colonial mis-pronouncement of the Tutsi people of the Burundi-Ruanda nation. The Watussi myth is further explored in the Pixilated Arcadia series of tapestries, referencing paintings done by Irma Stern during her 1943 and 1946 expeditions to central Africa depicting the “Watussi”. Stern’s works are re-narrated through irreverent subversion, with the aim of focusing attention on the implicit ethnographic and propagandistic undertones of the work. The “Watussi women” meditations find their retort in the … watussi moneyshot [2008] tapestry – a parody on the historical and the contemporary hoochie-mamma… Beiruth’s name is derived from a pun around the middle-eastern city of Beirut – a play on the theme of Orientalism; but more importantly he is the illusive figure that qualifies the autonomous body against that of the sovereign state. In my new video: …after he left [2008] , Beiruth is documented undertaking various journeys: catching a taxi to the Cape Town township of Atlantis, a place that is a far cry from its legendary namesake; Beiruth seeking a sensual ideal in the form of the increasingly-popular evangelical churches. The video is accompanied by a series of performative stills … the naivety...
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