Unlikely Johannesburg – Part One
The other day I got a call from New York – a friend’s Uncle on his way to the World Cup in South Africa called me to get some advice. His faraway voice calmly explained that bien sûr, he was excited to be visiting South Africa, but after reading a couple of recent scathing media reports citing violence, violence, violence, he was beginning to question the wisdom of choosing to stay in Johannesburg for their entire visit. Ironically enough, I was on a train out of Brussels and nowhere near the city of my birth, I have been away from Jozi for over two years now, so despite my heart & head being firmly rooted there, I couldn’t say I’m a local right now. This recent absence, coupled with the fact that talking rather loudly on a cellphone in downtime traintime in this part of the world incites targeted headrest incineration, meant that I had to think fast. And so, I took the path of least resistance, I told him to relax and enjoy himself, that yes, Johannesburg had a dangerous side, but that everything was going to be just fine. The police are on diet and the security companies on high alert, I told him, big brother is awake; ‘people are living there and life goes on’ I drawled- conscience of my slow accent I fell on old ways of explaining things away. Let me explain, when I read the email preceding the call and saw that he and his family were staying in Johannesburg only, for nearly two weeks i.e. for their entire visit…I felt a thrilled kind of fluttering in my chest. At last, I thought, our soulful neglected city, most often treated as a trampoline for tourists to bounce off to some other fabulous beached or bushed corner of our country, was being taken seriously as a tourism destination. By a New Yorker nogal! Let’s face it, when have I, or you for that matter, ever met tourists who have come to South Africa with only one destination on their list: the scary city of Johannesburg? I could feel the swelling pride in my voice as I described to him the place he was lucky to be visiting and the place that I can never quite shake off, that always pulls me back no matter how much of my oyster I believe the world to be. I was flattered, appeased and willing to please. And so, I started to tell him the inside story that any (and only) good Johannesburg-loving citizen can and probably will tell you. We’ll all agree Johannesburg is a bit of...
Experimental project space opens in downtown Jozi
GoetheonMain is opening tonight as part of the Arts on Main development in downtown Johannesburg. The 273 m2 space is intended as a multi-disciplinary project room, tonight’s launch will feature Isicathamiya and Oswenka performances and a photo projection of Sabelo Mlangeni’s new body of work Men Only, which will be followed on 8 to 10 May by the Informal Architecture master class – an architecture workshop on the structures that fills the gaps left by city planning. Ismail Farouk’s Trolley Works, the first of eight projects chosen by an independent jury, will open on 29 April. Opening Night: Mai Mai goes Main Isicathamiya and Oswenka Performances & Men Only – a photo projection of Sabelo Mlangeni’s new body of work on the George Goch hostel When: 8 May, 6 pm Where: GoetheonMain, Arts on Main, 245 Main Street (Closest corner Berea Street), City & Suburban, Johannesburg. From May onwards GoetheonMain will host eight projects selected from the open call for proposals that was launched in early March. The process will be repeated later in the year and is set to run twice a year. The distinguished jury consisting of Paul Grootboom, Sibongile Khumalo, Melissa Mboweni, Simon Njami and Hans-Georg Knopp met to decide the projects to be realised at GoetheonMain this year. The chosen proposals are reflective of the multi-disciplinary nature of GoetheonMain and the urban space that surrounds it. Art outreach project Sutherland Reflections; city intervention Trolley Works; a music and dance performance entitled Trespassing Permitted; visual art exhibition dedicated to Women’s day; Rhythm Tap. Multimedia Dance Project; a performance piece Fragile and Selogilwe; interdisciplinary presentation Merry Christmas Minister!; as well as Red Arts photography presentation and literature workshops, found the judges’ favour. With GoetheonMain, the Goethe-Institut engages with issues central to metropolises all over the world, and in particular Johannesburg. Through an engagement with the arts, urbanity is looked at: the hybridity, frenetic energy and constant transformation that make up our cities. Informal Architecture Master Class When: 9 & 10 May Despite the UN-Habitat’s call for “cities without slums” pronounced in 1999, the number of informal settlements has drastically increased. Similar ambitions are expressed closer to home: In South Africa housing lists dating back to 1998 demonstrate that formal approaches to housing delivery are not effective enough. The informal city fills the gaps left by what the formal city does not and cannot provide. Yet it is largely condemned and outlawed – its potential hidden. 26’10 south Architects has, in partnership with the Goethe-Institut, embarked on a research project to gather information in the form of mappings and drawings which capture the spatial and functional qualities of...
Represent Introduces: Anthea Moys
Representah Alana Cremonte is a big fan of performance artist Anthea Moys who is currently dabbling in the inner city… Alana wanted to share the love so that perhaps you too can take a ‘ncane break, a petit pause, una momenta… and smell…the… uh… jacarandas…while reflecting on this mad thing we call life. Sharpile Alana!: Why are so many people so caught up in their day to day fast-forward, that they forget how easy it is to just take a step back, pause and choose their next direction before moving forth? I guess they haven’t even realised that they need this luxury. Whether or not that has to do with the fact that this idea hasn’t been properly marketed with an ad campaign yet, is totally besides the point and I think it was small-minded of you to bring it up. To be fair, life does seem to be moving at a tremendous pace these days. So much so that even if you wanted to just stop and smell the roses, you’d find yourself at the back of the queue and desperately treading water. So, imagine if you had a moment of play forced on you. What if, you were interrupted from your hustle and bustle by “Jozi’s Golden Girls”. A gaggle of grannies, performing a choreographed dance routine in the middle of your city square. Gold and black tracksuits sparkling in the midday sun, good time music as their soundtrack and a young girl in the middle, joining in, almost a part of their world. Anthea Moys is the performance artist whose incredibly relevant work finds her positioned, both figuratively and literally, in the middle of people’s lives. She is constantly daring South Africa to stop and ask, why? The question is, if confronted with some of her work, would you stop and take it all in? At the very least you’d have to commit to a smile, right? Most people find a sigh of relief in her performance art. She doesn’t rely on shock tactics to get her message across, but rather, gently holds that proverbial mirror up to show her audience a piece of themselves they have forgotten. The world has charmed her and she openly admits to being curious of “people in their little worlds”. And that’s what she has consciously worked on showing us, a little glimpse and a “momentary gift” that unites you, so very specially, to anyone else involved. The moment is yours and you can hold your opinion of it close to you heart as you revel in the fact that you are sharing something that will never be recreated, just...
Represent Insists: William Kentridge
We know it’s been open about 11 days already, but we like picking up the momentum halfway through… SO Representer’s – we’re Insisting that you make the effort to get to this. People all over the world would LOVE to be able to pop into a Kentridge exhibition on their home way from work – think of it as a gift, one of our most iconic, respected and honoured artists, William Kentridge, gives you the free prize – a look at his recent work for mahala!!! Now don’t even consider looking this gift horse in the mouth – just point your car towards Jan Smuts Avenue and GO GO GO! William Kentridge I What Will Come 10 November – 14 December 2007 http://www.goodman-gallery.com/ Gallery hours: Tuesday – Friday 09h30 to 17h30; Saturday 09h30 to 16h00. An exhibition of recent work by William Kentridge opens on November 10th 2007, at the Goodman Gallery. This exhibition, entitled What Will Come takes its title from the Ghanaian proverb ‘What will come has already come’. Kentridge is renowned for his animated films, drawn and animated using trademark multiple erasure technique, in which he explores the nature of human emotion and memories, and deals with the quest for cultural identity, ingrained history and politics of South Africa, intensely dedicating himself to issues of sight in his work*. Through a series of new drawings, prints, and stereoscopic images that form the basis of What Will Come, Kentridge continues to explore the medium of sight, reflecting his continued concern with optics and the construction of seeing. The exhibition is centered around an eight minute anamorphic film, entitled What will come. This filmic anamorphosis in which images, drawn and animated by Kentridge, assume their proper form only when reflected in a mirrored cylinder positioned at the projection’s centre. This film draws on the idea of the picture puzzle that originated in the sixteenth century. Kentridge translates this play with perception that operates distorted images that can only be deciphered from a certain angle in his film. The technique of cylindrical mirror anamorphosis Kentridge employs is based on a further level of perception. It is not enough to change one’s point of view but a cylindrical mirror is essential to decode the picture, with a certain radius that reflects the distorted image, causing it to ‘straighten’ optically. The production of these images relies on Kentridge’s profound knowledge of mathematical rules and optical foundations*. A number of anamorphic drawings from the film will also be shown, mirrored in cylinders. Other work concerned with optics and the construction of seeing, includes series of stereoscopic photogravures that take on three dimensions as one looks...
Get to Night of 1000 Drawings
Wow it’s been a year already since the debut Night of a 1000 Drawings in Jozi. We went along in 06 and found it interesting and worth a visit – it’s always fun to observe all of Jozi’s young edgy arty indie crowd in one space. It’s happening this Thursday night at the gorgeous PRIVATE PRACTICE venue (GO GO GO) and we urge everyone who has an interest in art and doing something meaningful for charity, to pull in. Click on the flyer for all the info you need. Night of 1000 Drawings is a one night charity exhibition where A5 drawings (and photographs!) are donated by everybuddy and are sold to the public for charity. Paballo Ya Batho, a Jozi inner homeless care organisation and “Love to Africa” a Cape Town bred social initiative that works to empower change to the issues plaguing Africa including hunger, orphans, poverty and education.) Thursday 15 November @ 19:00 PRIVATE PRACTICE @ The Lister Building Bree Street, Between Kruis and Von Weilligh Str Click here to view map Schedule Doors open at: 19:00 – purchasing of stickers available 20:00 – everybuddy may start reserving their drawing/s 21:00 – a volunteer will assist you to take your reserved drawing/s Drawings sold at R 100.00 More info @: http://www.1000drawings.co.za/ http://1000drawings.blogspot.com/ Enquiries @: info@1000drawings.co.za All proceeds will go to charity to provide skills development for the homeless: http://www.paballo.org.za/ ...
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