Lerato Mogoathle – Our African Pride
She’s one superbrave continental jet-setter, Lerato Mogoathle is currently uprooting fertile earth all over West Africa as she digs into the highs and lows of our mixed up continent. Get inspired by her moving African travel stories in the City Press (do yourselves a favour) and pack your own backpack for a true African discovery… We’re blessed to be in constant touch with her and to receive page-turning updates on the marvellous world of Miss L Boogie, today she shares her Salif Keita adventure with us. Represent Sisi! Sharpile for your words! : Picture this, if you will. You are a music journalist jaded with the mainstream pop culture, hungry for more African music and currently travelling around West Africa, the region whose music, cultures and literature fuelled your obsession for experiencing Africa. You arrive in Abidjan, Ivory Coast, and love what you see when it is a poster announcing Salif Keita’s concert in two weeks. The first time I saw Salif Keita on stage was in 2004 when he was being awarded a lifetime achievement award at the Kora All African Music Awards. Dressed in white, he literally descended on stage, glowing under the lights. This is the image, and admiration for his music and increasing obsession with Malian music that leads me to Yamasoukrrou, the capital of Ivory Coast. The newspapers said the show starts at 6pm. I arrived there in the nick of time, only to wait and wait for what felt like eternity to start. The ball starts rolling three hours later, with sound checks and opening acts that, as entertaining as they were, only made me my waiting that unbearable. The Malian great Keita gets on the stage. The hall falls silent. We know we are about to experience a moment in time, not any other live show. He starts the show by kneeling before us; thanking us for being with him that night. He opens with two acoustic songs. The first feels like a worship session; calming, serene and with that haunting voice, a channeling of Allah’s presence and manifestation in the moment. The second song is a duet with Ivorian superstar Aisha. They are a class act, delivering a performance that seems like they are always practicing how to deliver the song. We watch in silence. Then Salif raises his hand. The 11 piece band, whose sound check lasts as long as they need to make sure everything comes out PERFECT, joins him. It was the second best live show I have ever been to. The other also belongs to Salif, a day later in the town of Bouake. We rise and...