Represent Review: Cape Town International Jazz Festival 2010
Apr10

Represent Review: Cape Town International Jazz Festival 2010

Between bracing the Cape winds, running between stages and having dinner with Bilal (coughcough), our two fabulous Jozi representer’s Lebogang and Akona (you’re always a Jozi girl for us) still managed to cover the Cape Town International Jazz Festival for us this year… and with such panache… What can we say besides a massive Sharpile. Watch your snailmail for your thank yous 😉  See Lebogang’s gorgeous photostory of the event here and read Akona’s review below:  Represent! This year’s 11th annual Cape Town Jazz Festival, which took place last weekend, once again got it’s stamp of approval for being one of the grandest music festivals in the country, I also think this event, previously known as North Sea Jazz Festival, is one of the better organised festivals out there save for the crazy Cape Town wind trying to get it’s time in the spotlight. The line – up was incredible, the most exciting part for me are the number of fusion artists I had never heard  of – you see, the Jazz Fest for me is the place I go to be introduced to new music without being caught out as an ignoramus by die-hard fans. T his is where the artists have to bear their souls through their craft, this is where they introduce themselves to the possibility of new fans – me being one of them of course. 42 acts, over two nights, on 5 stages = a whole lot of dancing, singing, crying, with a healthy dose of soul touching music to keep you entertained.   On the first night, with a late start to the evening, I was blown away not only by the Cape Town wind at the ‘Bassline’ stage (which was setup outside of the International Convention Centre) but also by the Japanese fusion jazz group – a six man group playing what I’d call dance music, with a very jazzy root. It was impossible not to be mesmerized not only by their energy, but the way in which they got the audience involved, singing hooks, dancing, clapping along and creating a measurable heat out in the open stage (audience by now had to do just about everything not to succumb to the thrashing of the wind). What was most important is how the band didn’t seem bothered nor allowed themselves to be distracted by the wind and sand smacking them about on stage, they never skipped a beat – at one point I saw the saxophonist cough out some dirt only after blowing his instrument to the tunes. The Soil and Pimp Sessions is a vibrant band who transcend any expectations, MC, trumpet,...

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