David Krut Gallery CT: William Kentridge: Recent Linocuts
William Kentridge: Recent Linocuts From now till 30 July 2011, David Krut Projects Cape Town This exhibition brings together recent examples of a medium for which William Kentridge is lesser-known. Despite the scarcity of linocuts in Kentridge’s oeuvre, one of the first prints he made in 1976 after finishing high school was a linocut: an image of his grandfather in a deck chair wearing a three-piece suit while on holiday in Muizenberg, just outside Cape Town. Although the extent of the facilities available to Kentridge at the time was limited to “lino, cartridge paper and the back of a spoon”, he has cited the image as a source (at least of outfit) for his famous ever-pin-stripe-suited character, Soho Eckstein. 20-odd years later, Kentridge has briefly returned to the linocut and, co-incidentally, to Soho Eckstein. The Ganeshian nature of Kentridge’s practice allows any selection of work to always contain traces of projects past or yet to come, as well as a particular sensitivity to medium. The linocuts included in this exhibition were all created during the course of 2010 and reference Kentridge’s production of The Nose in March 2010; his recent exhibition in the Egyptian Collection wing of the Louvre; work towards The Refusal of Time, a collaborative work set for realisation at Documenta 13; the Firewalker sculpture of 2009; and, most significantly, the return of Soho Eckstein in a new animated film. Read more here DAVID KRUT PROJECTS CAPE TOWN Montebello Design Centre, 31 Newlands Avenue, Newlands, Cape Town / +27 (0) 21 685 0676 / alastair@davidkrut.com GALLERY & BOOKSTORE HOURS: Tues – Fri 9am – 5pm / Sat 10am –...
Represent Insists: William Kentridge
We know it’s been open about 11 days already, but we like picking up the momentum halfway through… SO Representer’s – we’re Insisting that you make the effort to get to this. People all over the world would LOVE to be able to pop into a Kentridge exhibition on their home way from work – think of it as a gift, one of our most iconic, respected and honoured artists, William Kentridge, gives you the free prize – a look at his recent work for mahala!!! Now don’t even consider looking this gift horse in the mouth – just point your car towards Jan Smuts Avenue and GO GO GO! William Kentridge I What Will Come 10 November – 14 December 2007 http://www.goodman-gallery.com/ Gallery hours: Tuesday – Friday 09h30 to 17h30; Saturday 09h30 to 16h00. An exhibition of recent work by William Kentridge opens on November 10th 2007, at the Goodman Gallery. This exhibition, entitled What Will Come takes its title from the Ghanaian proverb ‘What will come has already come’. Kentridge is renowned for his animated films, drawn and animated using trademark multiple erasure technique, in which he explores the nature of human emotion and memories, and deals with the quest for cultural identity, ingrained history and politics of South Africa, intensely dedicating himself to issues of sight in his work*. Through a series of new drawings, prints, and stereoscopic images that form the basis of What Will Come, Kentridge continues to explore the medium of sight, reflecting his continued concern with optics and the construction of seeing. The exhibition is centered around an eight minute anamorphic film, entitled What will come. This filmic anamorphosis in which images, drawn and animated by Kentridge, assume their proper form only when reflected in a mirrored cylinder positioned at the projection’s centre. This film draws on the idea of the picture puzzle that originated in the sixteenth century. Kentridge translates this play with perception that operates distorted images that can only be deciphered from a certain angle in his film. The technique of cylindrical mirror anamorphosis Kentridge employs is based on a further level of perception. It is not enough to change one’s point of view but a cylindrical mirror is essential to decode the picture, with a certain radius that reflects the distorted image, causing it to ‘straighten’ optically. The production of these images relies on Kentridge’s profound knowledge of mathematical rules and optical foundations*. A number of anamorphic drawings from the film will also be shown, mirrored in cylinders. Other work concerned with optics and the construction of seeing, includes series of stereoscopic photogravures that take on three dimensions as one looks...
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